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Neïl Beloufa

3 February - 14 April 2017

Pejman Foundation: Argo Factory is pleased to announce French-Algerian artist Neïl Beloufa’s first exhibition in Iran with support from French Embassy in Tehran.

Opening on February 3rd 2017, the exhibition will inaugurate Pejman Foundation’s future flagship premises in the Argo Factory, a former factory in downtown Tehran. The exhibition will feature a site-specific installation conceived by Neïl Beloufa for the semi-derelict space. It is a combination of new architectonic constructions that organically extend and thread through the industrial location, with stand-alone elements expanding on the artist’s recent work for the Museum Ludwig in Cologne. A number of videos will be on display, the newest of which was shot in November and December on location in Isfahan, Iran, and is therefore premiered on this occasion.

Like many artists of his generation, Neïl Beloufa takes an interest in how the web, social media and emerging technologies have undermined and transformed the traditional value and hierarchy of images, our relations with them, or how we use them. While defining himself more as an “editor” than a sculptor or cineaste, he creates site-specific sculptural or architectonic environments that are themselves ambiguous. Beloufa plays on the edges of solid and void, high and low tech, hierarchies of form, function and materials to build an actual setting for his filmed video works as well as for live-stream closed-circuit images. His videos often subvert familiar cultural artifacts or audiovisual forms, such as different kinds of TV shows, questioning truth and falsehood, turning the codes upside-down while involving non-professional actors in a "low-tech teleplay aesthetic {…} The main raw material of his films, sculptures and installations is what actually exists and how it is interpreted," explored "without moral judgment, cultural cynicism or any kind of irony."

In November and early December 2016, Neïl Beloufa and his team of collaborators occupied a Qajar-era palace in Isfahan (Iran) to produce a new video work, stemming from and deconstructing the codes of so-called "reality-TV" shows such as Big Brother or Secret Story. The video calls their bluff: if "reality-TV" was actually real, it might easily end in catastrophe. The movie will be premiered at the Argo Factory exhibition, along with several other video works such as Real Estate (2012) or Monopoly (2016). Neïl Beloufa specifically asked to construct his installation in the abandoned factory before restoration by the Pejman Foundation, to create a dialogue with the current dynamics of urban development, construction and renewal in the city of Tehran. Beloufa’s work will build on, mirror and extend the existing fabric, and link the different spaces together with pipe-work recalling the factory’s former drink-manufacturing activities. This new site-specific setting will also include important new works shown recently, as part of its off-site Here and Now exhibition, by the Museum Ludwig in Cologne. The exhibition will be accompanied by a program of talks and presentations by guest speakers, including Neïl Beloufa himself.


ABOUT NEÏL BELOUFA

Neïl Beloufa (1985, Paris) studied at the École Nationale Supérieure des Beaux-Arts, Paris; and later at CalArts, Valencia; and Cooper Union, New York. He has had solo presentations at the MoMA, New York (2016); the Schinkel Pavilion, Berlin (2015); the ICA, London (2014); the Hammer Museum, Los Angeles (2013); the Palais de Tokyo, Paris (2012); and the New Museum, New York (2011), among others, and has participated in numerous group exhibitions. His films have been screened at the Toronto International Film Festival (2011); the International Film Festival Rotterdam (2009, 2012); and the London Film Festival (2009, 2010, 2011).
Pejman Foundation: Argo Factory is pleased to announce French-Algerian artist Neïl Beloufa’s first exhibition in Iran with support from French Embassy in Tehran.

Opening on February 3rd 2017, the exhibition will inaugurate Pejman Foundation’s future flagship premises in the Argo Factory, a former factory in downtown Tehran. The exhibition will feature a site-specific installation conceived by Neïl Beloufa for the semi-derelict space. It is a combination of new architectonic constructions that organically extend and thread through the industrial location, with stand-alone elements expanding on the artist’s recent work for the Museum Ludwig in Cologne. A number of videos will be on display, the newest of which was shot in November and December on location in Isfahan, Iran, and is therefore premiered on this occasion.

Like many artists of his generation, Neïl Beloufa takes an interest in how the web, social media and emerging technologies have undermined and transformed the traditional value and hierarchy of images, our relations with them, or how we use them. While defining himself more as an “editor” than a sculptor or cineaste, he creates site-specific sculptural or architectonic environments that are themselves ambiguous. Beloufa plays on the edges of solid and void, high and low tech, hierarchies of form, function and materials to build an actual setting for his filmed video works as well as for live-stream closed-circuit images. His videos often subvert familiar cultural artifacts or audiovisual forms, such as different kinds of TV shows, questioning truth and falsehood, turning the codes upside-down while involving non-professional actors in a "low-tech teleplay aesthetic {…} The main raw material of his films, sculptures and installations is what actually exists and how it is interpreted," explored "without moral judgment, cultural cynicism or any kind of irony."

In November and early December 2016, Neïl Beloufa and his team of collaborators occupied a Qajar-era palace in Isfahan (Iran) to produce a new video work, stemming from and deconstructing the codes of so-called "reality-TV" shows such as Big Brother or Secret Story. The video calls their bluff: if "reality-TV" was actually real, it might easily end in catastrophe. The movie will be premiered at the Argo Factory exhibition, along with several other video works such as Real Estate (2012) or Monopoly (2016). Neïl Beloufa specifically asked to construct his installation in the abandoned factory before restoration by the Pejman Foundation, to create a dialogue with the current dynamics of urban development, construction and renewal in the city of Tehran. Beloufa’s work will build on, mirror and extend the existing fabric, and link the different spaces together with pipe-work recalling the factory’s former drink-manufacturing activities. This new site-specific setting will also include important new works shown recently, as part of its off-site Here and Now exhibition, by the Museum Ludwig in Cologne. The exhibition will be accompanied by a program of talks and presentations by guest speakers, including Neïl Beloufa himself.


ABOUT NEÏL BELOUFA

Neïl Beloufa (1985, Paris) studied at the École Nationale Supérieure des Beaux-Arts, Paris; and later at CalArts, Valencia; and Cooper Union, New York. He has had solo presentations at the MoMA, New York (2016); the Schinkel Pavilion, Berlin (2015); the ICA, London (2014); the Hammer Museum, Los Angeles (2013); the Palais de Tokyo, Paris (2012); and the New Museum, New York (2011), among others, and has participated in numerous group exhibitions. His films have been screened at the Toronto International Film Festival (2011); the International Film Festival Rotterdam (2009, 2012); and the London Film Festival (2009, 2010, 2011).
   Design: Saam Keshmiri (StudioKargah)