In association with Green Art Gallery
For its inaugural exhibition in the newly renovated Argo Factory building, Pejman Foundation is pleased to present The Room Becomes a Street, a solo exhibition by Iranian artist Nazgol Ansarinia. Conceived as a series of discrete interventions dispersed throughout the foundation’s galleries, the exhibition is Ansarinia’s largest presentation to date and surveys the artist’s work of the last 15 years in sculpture, installation, drawing, and video. The individual projects represent ways of understanding the role of architecture in delineating interior and exterior spaces and private and public spheres. Informed by Ansarinia’s interdisciplinary background in art and design, projects range in approach and material to offer a perspective that considers the aesthetic and theoretical implications of vernacular architectural practices within the built environment. Ansarinia’s works are largely observational and technical in their scope, offering insight into the issues that are most pressing and urgent for today’s cities and the populations that inhabit them.
For the greater part of her career as an artist, Ansarinia has focused her attention on the immediate context of Tehran, where she currently lives and works. Tehran is a primary source material for Ansarinia, whose individual research-based projects are centered around aspects of the city’s architectural history. The Room Becomes a Street suggests a playful inversion of spaces that are otherwise separated by notions of urban design. The earliest works in the exhibition, such as Living Room (2005), deal specifically with interior domestic space and provide a basis for how Ansarinia has developed her research in the years that followed. Ansarinia’s practice traces the tendencies toward construction and demolition, accumulation and decay that are inherently linked to cities such as Tehran. Situated within the context of a repurposed factory building that has undergone an intricate and involved restoration, Ansarinia’s work becomes the artistic embodiment of questions surrounding historical preservation and architectural conservation. Ansarinia’s individual projects reflect the recent history of Tehran’s urban development, and the artist’s engagement with the architectural specificity of Pejman Foundation’s Argo Factory brings her work into closer proximity to the realities of lived experience and the conditions that shape urban life.
This exhibition is accompanied by a bilingual catalog in English and Farsi that includes a republished essay by Majid Akhgar and a conversation between Ansarinia and curator Aram Moshayedi
Nazgol Ansarinia (born in 1979 in Tehran) is an Iranian artist, working in variety of media such as sculpture, drawing and video. She received her BA from London College of Communication, before completing a MFA from the California College of the Arts.
Her work has been exhibited in solo and group exhibitions internationally including at the Tate Modern, Whitechapel gallery and Parasol Unit in London, Wattis institute and KADIST foundation in San Francisco, KIOSK in Ghent and Museum Rietberg in Zurich and is also part of the collection of Tate Modern, British Museum, LACMA and Queensland Museum. She has participated in Istanbul, Yinchuan and Gwangju Biennials and was the recipient of the Abraaj Capital Art Prize in 2008.
Date and Location:
Pejman Foundation: Argo Factory
10 January – 10 April 2020
Sunday to Wednesday 2 – 8 pm
Thursday and Friday 12 – 8 pm
Opening: Friday, 10 January 2020